Featuring two tracks of fearless sonic bliss and two long journeys to a state of sustained ecstasy, it was recorded in one day on analogue 2" tape. The LP combines percussive sticks and bells, resonant electronics, keyboard odysseys and experimental vocal work from helmsman Campbell. Whilst Club member John Clyde-Evans' laptop contributions provide much of the backbone groove of the album, Stewart Keith adds light and shade on a variety of keyboards and toys. Together they weave a rich tapestry of sound and noise. But it's Campbell's dense guitars that thicken the very stem of these four tracks