The musical spectrum of Leaving Lotus surprises with ambitional performed progressive metal, pointing, not only due to the mighty double-bass inset into direction Dream Theatre, disctreet grooving rythms with accordingly guitar passages we know from the works of Pat Metheny up to elements which could came from the repertoire of Al Di Meola or John McLaughlin. Changes in tempo and dynamic, perfect build compositions, compelling to the last note. Compared to Metronomicon, the rather experimental album, Leaving Lotus comes much more lyrical, beautiful and with fine textures. The captivating, virtuos playing creates amazing atmospheres.